Satyrday, a Fable. Wednesday, parts 5 & 6.

     Derin was taken by the water as though he were a leaf. He fought to the surface for air against the long tendrils of river wrapping themselves around his legs, pulling him under. The tendrils snaked after him, never let him go. He tumbled in the though, a shell, a tiny pebble.
     His body no longer felt the water's coldness. He felt no pain at all. As he relaxed, he felt a deep peace envelop him. He ceased fighting, let himself be taken by the current, and he drifted, weightless, just conscious enough to see the strange rock swim toward him. The water blurred his vision, but he made out the rock's elongated shape, tapering away at the end, covered with white weeds at the other. As it approached, the boy saw it wasn't a rock at all. Her hair streamed in the water, fanning out behind her, over her shoulders, and he followed the sleek curve of her body until, at the hips, she became a fish, covered with grey scales, honing down to the final finned flare as she dissolved into water.
     Vera darted under him, her long arms stroking in front of her, and he tightened his legs around her as she swam between them. He felt her scales under his thighs. He reached down, held her shoulders with both hands, and she surged toward the surface.
     The dark skin of water grew closer and broke around his head in a crown of spray. Together, they left the surface of river and rose into the air. Vera arched her back, and using her hands to scatter the surface, dove again into the river. Derin caught a glimpse of spray, of the shore toward which they headed, and he gasped, coughing deeply, before the silver-grey water closed around him. Again Vera broke the surface, allowing Derin time to breathe, and together they swam toward land.
     The rush of wind and water on his face drew him awake. Under him, the nymph rolled and twisted around snags, rocks, dangerous stretches of current. He tightened his thighs, locked his ankles as she bucked beneath him. The water flashed from his back as though it could no longer harm him.
     In the air, into the water they rocked. Tall firs loomed from the muddy banks, the sky hung low over the river. When they reached water shallow enough for Derin to stand in, Vera rolled, throwing the boy on his side. For a moment, Derin floundered, but then his foot hit bottom. Splashing, coughing, he staggered the few remaining feet to shore and fell on his knees in the mud. Behind him, he heard a rasp coarse as rock ground against sand, and when he turned he saw the fox drag herself from the water, gasping. She came and lay beside him, looked at him once with her large grey eyes before she closed them, and the boy reached out and ran his hand the length of her soiled sodden fur, in wonder, in disappointment. When Matthew found him, Derin was alone. The fox, after resting, had left him on the bank, but Derin was not thinking of the solid ground beneath him. He stared at the river's roiling surface, remembering the leaps from the water, the wild bucking of the nymph under him, the touch of her smooth scales against his skin. He was in an undiscovered country, trying to follow the course of a map which has not yet been drawn.



                                                   *                          *                           *



     Vera battled her way upriver in search of fish. The water pulled at her, surging over her body as if she were a stone or a log blocking its natural course. She was exhausted. Her arms ached with the strain of swimming and her hips were bruised from carrying Derin to land. Her hair swirled in the currents, now hazing her sight, now swept backwards off her shoulders so she felt the rush of water fresh on her face. At times her struggle seemed useless, as though she were being inexorably swept downstream against all her best efforts. But she kept swimming, flexing her sinuous tail, flicking the great caudal fin in the icy water.
     It was a crazy idea, but it just might work. They would take some convincing, for fish were stubborn and proud, inclined to silence, but they would not be frightened by the owl. Vera doubted they even knew of him. In the Deadwood Forest there was no water, and fish were the only animals who had no place in the owl's plans.
     Ahead of her, in the shallows of a spot where the river bent and left in its wake a small pool of less turbulent water, she saw the torpedolike shapes of fish. They hung in the pool as if suspended by strings, barely moving their fins. Under them, on the sand of the river's bottomm were hundreds of shellfish, lobsters in their mottled green armor, the fluted shells of scallops, a colony of mussels, shiny and blue-black, studded with limpets and barnacles, attached to one another by golden byssus threads. They were silent under the dark canopy of swordfish and blues, sea bass, halibut, the square slatelike tail-whipped forms of skate.
     Vera hurried toward them, wanting the quiet of their undisturbed water. If I can rest for a minute, she thought, I'll be fine again. But the sight of this strange half-fish swimming toward them threw the fish into confusion. They panicked. Swordfish swept to the water's surface and leapt, arching, flinging spray toward the clouds, slapping the water with their tails as they fell. Other fish swam upstream, fighting the current. The shellfish scattered across the bottom, mussels and scallops clattering like waterlogged castanets. The calm Vera had expected turned into a turbulent series of cross-currents, a slap in the face.
     She called to them, worried she'd lost them all. She gasped for breath; her words were bubbles of sound only she could hear, for the fish were too far away, frantically trying to escape her.
     She darted upstream but she couldn't catch them. This river was their home, and they were built for swimming, their sleek long forms adapted perfectly to the water. Vera let her arms drop, and felt the water take her. She twisted until she was headed downstream, then floated in the current, resting. When she was close to the shallows where the fish had been, she came alive again and swam there, letting herself sink almost to the bottom. She couldn't remember ever having been so tired.
     Vera crossed her eyes and opened them only after she felt the water push against her, crowding her. On the sand below, the shellfish had gathered, the lobsters' claws waving up at her like ominous underwater plants. She could see the scallops' twin rows of tiny blue eyes watching as they barely opened their shells. Above her, the bluefish and swordfish, halibut and skate had returned, and for a minute she was the one who was frightened, surrounded. They stared at her, their cold round eyes unnervingly lidless. What were they thinking? The lobsters peered up from under their horned ridge of chiton, antennae quivering in the slightly moving water.
     "I didn't mean to frighten you before," Vera said. "I'm sorry."
     The fish said nothing. Streams of bubbles filtered from their mouths as they waited for her to speak again.
     "I'm a sea nymph," Vera explained, and suddenly felt ridiculous, riding this water, trapped between skate and lobster. "Listen," she said. "I've come to help. I know why the river's so wild, why the current is stronger and the water colder."
     She remembered seeing great schools of fish lying on the bottom of a pond, irradiated by the full moon's glow upon the water's skin, their scales shining like silver. She had seen fish surge to the surface and break through, throwing themselves toward the moon, splashing the silver drops of water into the air in homage, desperate longing. "The moon's been wrenched from the sky," she said. "Stolen. She's held captive on land, miles to the west."
     A bluefish with cold ded eyes interrupted her. "In this ruver there are no directions but upstream and down."
     "There are creatures whose lives are not so simple," she said. "A great horned owl who lives in a place called the Deadwood Forest had kidnapped the moon. Without her, the world's gone crazy. There aren't any tides. The river's running wild."
     "You can say that again," a swordfish said. "It's worth your life to get caught in the current these days."
     "I need your help," Vera said. "Or you'll never again have the moon's gold shadow cast upon this water. I have no idea what will happen to the river if she isn't rescued."
     She was sure of it. A startled, frightened look shone from the fishes' eyes. They eddied in the water, looking at one another. Their tails twitched. Under them, all the scallops and mussels snapped open and shut. Vera saw a school of shrimp, translucent, almost impossible to find in the dimness, their pairs of legs jerking spastically.
     The water around her began to churn and Vera was afraid they would all burst loose again, flying in different directions, upstream and down, the only life they knew.
     "Please," she said. "Come with me. Help me."
     The water calmed again, and Vera felt the force of all those eyes upon her, but now they were not so indifferent or cold. They pleaded with her in return, as she had pleaded with them.
     "What would you have us do?" a swordfish asked.
     "I have two friends who do not swim," Vera began.
     "We have no friends who do not swim," the swordfish said, his eyes wild with confusion and distrust.
     "Listen to me," Vera said, losing patience. "We're going to rescue the moon. There isn't tom for quibbling."
     "Why don't you swim them across?" a skate asked.
     "Because teh water's too cold," Vera said. "They'd freeze. They're warm-blooded creatures."
     "And why don't you find someone else?"
     "There is no one else," she said firmly.



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     Here are some lines to take out of context:

—"he tightened his thighs, locked his ankles as she bucked beneath him"
—"she came and laid down beside him"

     Just because I could.

Satyrday, a Fable. Wednesday, parts 3 & 4.

     The ax fell through the air and bit deeply into the fallen fir. Matthew wrenched it loose, swung it back over his head, and down again. A wedge of wood bigger than the boy's foot jumped from the v-shaped cut. Derin scraped resin into the earthenware pot, added some water, and put it over the flames. The amber resin bubbled and boiled down into a darkened syrup. Off the fire, it thickened still more.
     Together, the two carried the logs Matthew had cut until there were seven of them side by side near the riverbank in a small declivity level with the water. Vera watched as Matthew lashed the logs together with the leathery vines she had found lying on the ground while Derin was off on his own search to the south. "I didn't have to climb a tree," she said. "They were waiting for me." "Lucky for you," Derin said. The satyr wound the vines until the logs were as tight as he could make them, and then Derin caulked the spaces between them with the resiny tar.
     At last, the tar hardened and, when Matthew splashed water between the logs, it stayed in glistening ponds.
     "Looks watertight to me," Vera said. "Let's go."
     Matthew looked out over the river, and shrugged. "It's the best we can do," he said. He gathered together the belongings he'd flung from the pack, dismantled his makeshift ax and placed the head back in its sheath.
     The river was even rougher than it had been that morning. As the day moved toward its zenith, the water rose in higher and higher waves which crested and broke as the river swept from north to south. "It's a tidal river," Vera said, "salty as the sea. It cuts across the whole land connecting the ocean's halves. But there aren't any tides since the moon's been gone. Why is it so rough?"
     They maneuvered the heavy raft until a corner of it dipped into the water. The river met the obstacle and flew apart into spume, drenching the three. Matthew and the boy shouldered their packs, and the satyr told Derin and Vera to board the raft and stay together in the center. When they were ready, he heaved at it. It budged an inch and stuck fast.
     "It's digging into the bank," Matthew yelled, trying to make himself heard above the river's noise. "Get off there. Help me push."
     Even with the three of them, it was difficult. The harder they shoved, the deeper the firs sank into the mud at the river's edge. "We'll have to pick it up," Derin screamed.
     "Be careful of your backs," Vera said.
     Derin and Matthew braced themselves and pulled upwards on the raft. The mud didn't want to let go. "At least it's holding together," Matthew said.
     "What?" Derin yelled, cupping a hand behind his ear. The satyr shook his head and waved a hand.
     They pulled again, and the bank began to relinquish its grasp. From where Derin stood, he could hear the pops and sucks as the logs ripped loose from the mud. Suddenly, Derin felt the resistance lessen, and with and enormous slap, the raft came free and Matthew and the boy fell forward as the water tugged at the raft's corner, pulling it into the current. "Quick!" Matthew screamed. "We'll lose it." Derin was on his knees in the mud, the raft several feet in front of him, gaining ground. "Jump," Matthew said. "Both of you."
     In a graceful arc, Vera leapt to the raft and hunkered down in the middle. Derin scrambled to his feet, thrashed through the water and threw himself onto the closest loge. His legs scissored, he pulled, and he crawled to the middle and turned to look back at Matthew.
     With a groan which seemed to come from the timber's interior, the raft gave up its hold on the land. For a moment, Derin didn't know what was happening. He and Vera lay flat, trying to balance the logs, but they tipped landward in a precarious slant. Matthew clung to the far corner, his legs in the water, trying to climb the slippery logs to where the others were. Derin crawled away from the satyr to equalize the weight, and hung with his hands to the edge jutting over the water. "Grab my leg," he screamed and he felt his body being stretched as the satyr pulled himself toward the raft's center.
     Spray flashed above them, drenching them with brine. The raft took off like a frightened animal. It reared and plunged, rising to the crest of a wave and plummeting to the trough beneath. Derin hung on; he grabbed the ropes which bound the raft together, wedged one foot under some vines at the other end. "Don't do that!" Matthew screamed. "If this thing turns over, you won't get loose." The boy jerked his leg free and began to slide. As the raft pitched forward, covered with icy water, there was little to hold him.
     For the boy, the ride was exhilarating. The wild torrent required every ounce of his energy, and his concentration was taxed to the fullest. He felt equal to the river's demands as the raft was tossed into the air and thudded down again on the back of a cresting wave.
     The boy looked behind him. Vera lay played on the logs, her eyes glazed. Her white fur was saturated with water. The satyr had assumed the same position; all three of them clung to the raft, trying to burrow into the crevices between the logs as the land sped by in a dizzying rush. The river took the raft, spinning it so Derin alternately saw the water rushing at him and before* him. He had lost all sense of direction.
     They were enveloped in mist, the land dropped away, and the exhilaration the boy felt changed to fear. He was swirling in a vortex whose only coordinates were noise and cold. Waves towered above them and crashed, trying to wrench them free. The roaring in his ears grew so loud he could no longer hear his own screams. A cold and brutal wind howled around him, attempting to rip the shirt from his back.
     When the edge of the raft hit the rock, the log which took the blow splintered. For a moment, the whole raft stood almost on end, and then feel back with a mighty crash, sending a wall of water upstream. It met the oncoming waves, and the two waters thundered into the sky and splashed down, inundating the raft. Derin saw the splintered log tossed skyward where the wind hit and threw it like a matchstick. Something slapped his leg; he saw a vine unraveling, whipping through the air.
     "Matthew!" he screamed. Matthew looked at him oddly, but the expression in his eyes was frozen there, as if he stared into a dead face. Then the boy noticed how far away Matthew was, and what he had feared had already happened. Matthew clung to a few logs which pitched forward, upended, and disappeared. He thought he heard a scream, but he couldn't tell if it was a voice or the commotion of the river. He looked behind him, but Vera was gone as well. Was that a paw he saw sticking from the water? It could be foam, or a skinned stick. It could be anything.
     And then the small solidity beneath him disappeared. The logs tore apart, the vine washed away, and the pitch ripped from end to end. Derin was flung into the air like so much flotsam, his pack lopsided on his back, unbalancing him, and he fell ten feet from the crest of a wave into the valley of water which lay beneath him, beckoning with its furious icy arms.


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     Matthew clambered to shore, bone-tired, nearly frozen, his brain dulled by the cold. Twice he had been thrown by the water towards submerged rocks, but he had lunged to safety. Blindly, he let himself be taken by the current until he had a clear sense of its direction, and then he struck out toward the shore they had set from not much earlier.
     His pack felt unnaturally heavy on his back. He threw himself on the bank, panting, and attempted to calm himself, but waves of hysteria rose in him, threatening to engulf him as the river had the raft. Shaking, he stood up, shaded his eyes with his hand, and looked out over the turbulent water. He saw the rocks, the rearing waves, but not a trace of his friends. He stopped himself from yelling their names, knowing it would only be wasted breath.
     How far downstream had he been taken? Here too, firs rose from the riverbank so it seemed to the satyr he'd never left the land. But he knew he'd been swept further south. Still wobbly, he took off downriver. Maybe Vera and Derin had been washed ashore as well. He tried to be hopeful, but there was no reason for hope. Matthew knew how cold the water was, how it robbed him of breath, paralyzed his hands and feet. The river had two levels. A deadly calm, a slow suck downward, like gravity, lay under the furious rushing surface. In that lower stratum a body had no buoyancy, little hope of escape. The boy might be held in that calm now, or else he'd been dashed on the rocks. And where was Vera? Was her magic not enough in the face of this raging river?
     He began to walk more slowly, as these thoughts sapped what little energy he had left. Across from him, the opposite shore appeared and disappeared through the mists the river flung into the air. Matthew stopped, shaded his eyes again, and looked. In the middle of the water, he thought he saw Derin's body rise and fall with the waves. Was it really the boy or only a log, a floating branch? He thought again of the temperature of the water, and realized that if it were Derin's body, it would be dead.
     He stopped walking, he stopped looking, he stood on the riverbank, barely breathing. He knelt on the bank, raked his hands through the gravely mud. Without thinking of the dirt, without thinking of anything but the boy, he put his face in his palms and howled.


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* I'm pretty sure the word should be "behind", but "before" is written on the paper. Is this a mistake, or intentional? No idea.


     Well, as always, more = later! (hope later would come soon)

If it's not a hit, it's shit!

     All too often have I been witness to the following: people favoring a performer's hits over all the other songs. And why? Because "the hits are catchy".

     What a deceptively simple excuse.

     When you stepped on a cow turd at the tender age of 4, do you remember that? Sure you do, because it's poop, and it was huge!

     But do you remember that book you tried to read at the age of 8, that one that's actually really good? Nah, "it didn't grab me in the first 10 seconds so I closed it".

     What I am getting at here, is that sometimes you need to give it some time. Maybe, after 10 seconds, or 10 minutes of patience, that boring book from your childhood will turn out to be the greatest thing you ever read, and memories of reading it will eclipse the cow poop one.

     With music, it is exactly the same as with any other type of experience. Just because something grabs your attention, does not mean there is more the be found.

     But what is my point??

     My point is: stop listening to radio hits and Top 50s exclusively. Give the other songs by your favorite performers a listen; you just might find something greater.

What reviews aren't.

     It is that time of the year again: the time to explain what reviews are!

     I know what you might be thinking: "But I know what reviews are!"

     Well, sadly, chances are, you don't.

     A review is not you telling your audience what happens in the story from beginning to end. That is called "plot summary". A plot summary is not a review, and it spoils the story. You are ruining the experience of discovery for your audience by doing them this disservice.

     A review is also not you going through the story scene by scene and commenting as you go. That is called "riffing", and was probably invented by Mystery Science Theater 3000.

     If you are riffing on a story, or summarizing the plot, you are not a reviewer and what you are doing is not a review.

     A review, is an article, or a video, that serves one purpose. That purpose is to convince you, the audience, that a product is worth purchasing, OR convince you to stay away from it.

     I am not going to touch reviews of eggbeaters or beds here; this is not the time.

     Instead, I will talk about the reviews of fiction: books, movies, videogames, and such.

     When you review a piece of fiction you are again adhering to the basic purpose: to convince the audience to (not) get the thing themselves. You are convincing me to read, or not to read the book.

     A review should begin with a description of what kind of story it is; what genre it could be pigeonholed in.

     Then, you give the premise: who goes where, when, and why. Tell me how the story starts; that much is not a spoiler.

     Then, you describe the tone to me: is it serious, or crazy? Sad, or funny? Realistic, or cartoony?

     Then, you give me your view on the quality of writing: do you think the premise is executed and expanded upon well? (you can actually find a guide to good writing on this very blog)

     AND THAT'S IT.

     There is nothing else you should do. Good job. Your review is done. Finished. Now you relax and sip some tea. Your review is complete, for it has every single thing a review should.




     I hope you learned something today, future YouTube superstar.

Satyrday, a Fable. Wednesday, parts 1 & 2.

WEDNESDAY

 
     The owl called the congregation of ravens for the early hours of the day, past midnight. As the darkness grew in intensity, the owl seemed to bloat. His golden eyes bulged and took on a reddish tinge, as though the beating of his heart had become so frantic that the blood moving through his veins had nowhere to go but into his eyes. He puffed in the clearing, his feathers bristling, until the bulk of his body was overpowering.
     In small groups, the ravens arrived. Word had gone out that afternoon that the owl wished to speak with them, and the place and time were transmitted with a flick of wing, a blink of a red eye.
     The meeting was held in another clearing, several miles from where the moon hung caged. Deirdre arrived late, but she was not the last. The owl sad dead-center, silent as an idol, and the glossy birds landed on trees and bushes around him, even in the edges of the clearing, all eyes intent upon the horned tyrant.
     Deirdre was grateful she'd gotten there at all. When she returned from the swamp, she'd fallen asleep, in plain view, a silly mistake, but one she could do nothing about. She's been awakened by a rustling in the limbs above her, and when she opened her eyes, she saw a small group of ravens perched above. It was already dark and their eyes shone down at her like live coals.
     "Sleeping late," one of them said.
     "Yes," she said, "I overslept," although she'd gotten barely six hours of rest.
     They flew off, one after another, and when all had abandoned her, she flew after them. Now they sat, surrounding the owl, waiting for him to speak.
     He was waiting as well, but Deirdre didn't know why. A few ravens straggled in late, and the owl fixed each one with his glassy bulbous stare, as if to question their right to remain alive. Deirdre began to get edgy; the encounter was eerie, like a showdown. When she thought she'd burst, two weasels came slinking through the underbrush and entered the clearing, remaining some distance form the owl. He looked down at them imperiously as they sank to earth, their eyes to him.
     "You're late," he said, his voice conveying his displeasure. "You've kept us waiting."
     One of the weasels spoke in a quavering voice. "We're sorry, my lord. We received your summons late, and we, as you know, cannot fly."
     "I know you can't fly," the owl thundered. His gaze left the cowering weasels and slowly took in the ravens. He thought how they looked like a night sky, those blinking eyes like thousands of read stars. Not a raven moved as he surveyed them. Paranoid, Deirdre thought he stared too long at her, and did her best to appear inconspicuous.
     "My friends here have something of interest to say," the owl said, nodding to the weasels.
     "We are just poor weasels from the Outer Lands," the second weasel said. "We live on the plain to the east of the mountains."
     "They can see what you are, you sniveling fool," the owl said. "Get to the point."
     "Yes, my lord," the weasel said, shaking with fright.
     "We've seen a raven fly out over the plain where we live, headed for the Swollen River," the second said. "And later we've seen him return."
     "So you think it's a 'he'?" the owl asked, interested.
     "We don't know for sure," the first weasel replied.
     "Go on," the owl ordered.
     "Twice in the last two days," the second hastened to add. "Since the moon was stolen."
     "What else?" the owl asked.
     "There's nothing else to say," the first weasel said. "That's all we know."
     The owl was exasperated. "Look around you. Do you see the raven who flew east?"
     The weasels were a model of concentration. Deirdre thought they were stalling, but still tried to shrink into her feathers, to disguise herself. They took forever, looking closely from the clearing to the bushes to the tree limbs. Finally the second one spoke.
     "It's no use, my lord. I can't tell the difference between them."
     "May your bones rot in darkness," the owl said. "Get out of here." With great haste and equal relief, the weasels slunk from the clearing and disappeared.
     "So," the owl said, frowning. "There seems to be a traitor in our midst. I have given strict orders that none of you should leave the Outer Lands. The Swollen River and the meadowlands beyond are alien territory. According to these weasels, someone has disobeyed me. Which one of you was it? I won't deal harshly with you if your explanation is fair and true."
     None of the ravens moved for a minute or two, and then all heads began to turn, each bird glancing at his neighbors with suspicion. Deirdre looked right and left as well, trying to appear as unruffled, as critical as her fellows did. Ah, self-righteousness, she thought. Has there ever been such a concentration of it?
     She was alarmed by this turn of affairs, but not particularly frightened. She felt she'd done nothing to give herself away. True, she was an outcast of sorts, having no particular companions among the other members of her clan and thus was vulnerable to suspicion. No other raven would defend her is she were called to account; none could say, "No, my lord, the raven Deirdre is your good and faithful servant. She was with me at the time in question." And since Deirdre could not offer this to any of them, she felt herself alone. But aside from the small group who had caught her sleeping earlier that evening, she was sure there were none who could accuse her.
     Out of the darkness behind her and slightly to her right, the voice of a very young raven filtered past
     "My lord," the raven said, his voice shaking badly. "Perhaps it was I."
     "Come here," the owl ordered, his voice as heavy as lead.
     A flapping emerged from the night, and a small handsome raven flew past Deirdre. He landed some feet from the owl, doing his best to square his wings and face his master.
     "What is your name?" the owl asked.
     "Maxwell," the raven said bravely. In the deepness if the night, Deirdre thought she could see blue highlights flashing amid his feathers.
     "No, my lord. They both perished in the ice storm of the winter."
     "Have you any neighbors or companions who can vouch for you?" the owl said severely.
     Maxwell looked behind him for assistance. "There are some I fly with," he said. "Bingor and Tera."
     "Are you here?" the owl roared, his voice coming back at him, echoing off the tall dead trees.
     There was no reply, only he deepest silence in which Deirdre could feel her blood pulsing in her throat.
     The owl looked down at Maxwell, a strange gloat in his eyes. They seemed to have become more red, almost as red as the ravens' eyes, "No one will speak for you," he said. So, Deirdre thought, it has come to this.
     "Bingor," the little raven implored, turning to look behind him at the hosts of his people.
     "Silence!" the owl ordered. "You flew east?"
     "Yes, my lord." The raven had lost his composure. He shivered in the darkness until Deirdre thought the earth picked up his fright and began trembling in empathy.
     "Against my orders?"
     "No, my lord, I did not disobey you. I was visiting the graves of the ancestors," he said bravely, "the ones who died in the great wind."
     The owl's chest swelled. "You crossed the Swollen River?"
     "No, my lord. I visited the graves on the Plain of Desiccation, the graves of those who dropped form the wind when it passed over the river. My mother and father often took me there, and since they died.  .  .  ."
     "An act of filial devotion, then?"
     "Yes, my lord."
     "I don't believe you," the owl said harshly. "Why was it never reported to me before?"
     "I don't know," Maxwell said. "I didn't know I was doing anything wrong."
     "You flew with this Bingor?"
     "No, my lord, I went alone. I could find no one who would go with me."
     "They were wiser than you, my son," the owl said. He called, and from the darkness behind him, three falcons swooped from the highest branches of a very tall oak. "Take him to the southern forest," the owl said. He paused for effect. None of the ravens knew of this place, except Deirdre. She shuddered on her branch, drawing herself tighter.
     "And break his wings," the owl said.
     Deirdre cried out in alarm.
     "Who was that?" the owl shrieked.
     "It was nothing, my lord," Deirdre said. "I have a cramp in my claw."
     "Take him away," the owl said. "Take him from my sight."
     Deirdre heard a soft noise in the distance, like weeping. Whoever grieved had not grieved enough to speak on Maxwell's behalf, but still Deirdre felt great pity. And she was beside herself with indecision. If she spoke up, if she offered herself in his place, she knew the owl would not spare the young bird. She would be killed, and he would still be banished and mutilated. And she would be abandoning the satyr and the boy.
     The falcons bound the raven and took off, each of them holding a rope. They hovered above the clearing, displaying their captive, before heading south.
     "Let that be a lesson to you," the owl said.
     "But my lord, if I may humbly ask a question," a raven said from a branch to Deirdre's right.
     "You may ask," the owl said.
     "The young one did not cross the Swollen River, if what he said was true."
     "But who would speak up for him?" the owl asked. "Not one of you. NOT A SINGLE ONE. You are a cowardly flea-infested lot, and it makes me sick to look at you."
     There was total silence. The raven who had spoken did not speak again.
     "Now leave me," the owl thundered. "All of you."
     As Deirdre rose in the air, it was like the whirlwind which had carried her west. Thousands of ravens surrounded her, and she was buffered by fierce currents. All was wing and beak and flashing eye. The sky reverberated with harsh breathing and cawing. Ravens collided in the air and fell away from each other, screaming. Feathers torn loose from their wings drifted below them. Bruised and battered, all left the clearing, Deirdre with them. She remembered the night she had been taken by the wind. Her parents lay below her on the ground, broken and bleeding, calling her name.



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     In the morning's dim light, Derin stood with Matthew and Vera, looking down at the Swollen River. By day, the water was molten rock, not mud. Blue-grey, like the hottest part of a fire, it laughed at them. A few boulders jutted from the water, their sleek black backs like seals. Around the rocks, the river churned, flinging spray high into the air. There were no islands, no sandbars, nothing but the deep channel.
     Derin walked down the rise. His ankle was completely healed, good as it had ever been; even the bruise had disappeared.  He knelt by the river's side and put a hand in the water. It felt like swiftly flowing ice. Down the bank, cedars gave way to tall firs which crowded to the river's edge. Across from him, Derin could make out the thin line of the opposite shore, marked by a rise of trees.
     He climbed the bank again and pointed to what he'd seen.
     "It's swamp at first," Vera said, "just like this side. But it's much more narrow. We'll have some wading to do when we get across. From here on there's nothing like the meadowlands again. You're in for a geography lesson."
     "You said there were mountains," Derin said.
     "That's right," the fox said. "That's where I live. They're at least two days away. After the swamp, we'll get to the Plain of Desiccation. Dry, dusty, hot and nasty. Not much lives there. I've seen a few weasels, and scorpions of course. Wild board. They're all in league with the owl, so we'll have to be careful. And there are other pitfalls. Like getting lost in the sand, Just one hill after the next, nothing to even give you the sense you're moving."
     "Sounds like fun," Matthew said. "I can't wait."
     "After that, we'll get to the mountains, a bit more hospitable terrain, I promise. And I know them backwards and forwards. They're beautiful, but of course I'm prejudiced."
     "And then?" Derin asked.
     "Then you're on your own," Vera said. "I'll take you as far as the mountains, but I won't go into the Forest."
     "The Deadwood Forest," Matthew said.
     "That's right," the fox said. "A vast tangle of dead trees and bushes, the most desolate place you could imagine. Nothing grows there. It used to be full of oaks and maples, before the owl came to power. I wouldn't go near it."
     "We'd better get started," Matthew said. "It's going to take time to build the raft." Long into the night, they had talked about how to cross the river, and Matthew had convinced them his was the best solution. They would need logs, and vines to lash the logs together, and a bit of luck.
     The three of them left the overlook and descended to where they'd slept. The only logs they'd found were fallen cedars, big around as Matthew's armspan, heavier than he and the boy could even lift. "The firs will be better," Matthew said, rummaging in his pack for the ax head. "They'll float higher in the water. Derin, go south along the bank and look for vines we can use. They should be old and weathered, nothing too young or they'll snap. I'll find a handle for this and get to work on the logs." Derin stood and watched as Matthew honed the ax head with whetstone, found a piece of cedar to use as a handle, and bound the head to it with rawhide. "Go on," Matthew said. "Get going."
     Derin walked along the rise, the river on his left rushing much faster than he was walking. Firs rose around him. He looked for vines which matched Matthew's instructions, but there were none, nothing but the straight druidical presence of the trees, their needled branches drooping toward the ground. The light under the firs was like the swamp's, a mottled green.
     As Derin walked, he peered across at the other side, trying to imagine it. From Vera's description, it was unlike anything he'd even dreamed about, a harsh and forbidding landscape over which the owl brooded like a malevolent cloud. Crossing the river seemed impossible. He thought of the three of them, huddled together on their flimsy raft, buffeted by those waves which even now rose and fell like the foaming backs of stallions, flinging spray sky-high. Behind him, he heard the first crack of a tree. The satyr's voice rang out, and then Derin listened to the slow crunsh as it fell, breaking the branches of other firs, the slam it made as it hit the ground.
     He shaded his eyes with his hands. There, above him, he saw what looked like a tangle of vines. It festooned the upper branches, hanging down toward him, taunting.
     Derin shrugged and rubbed his hands together. He took a few steps back, approached the fir, and jumped. He wrapped his arms and legs around the trunk and inched his way up, raising his knees, hugging the fir, and grabbing above him with his arms. The rough bark scratched his legs, but he kept climbing until finally he could reach up and hold onto a branch. His legs let go, and he hung there by both arms. The branch creaked, bending downward, but it held. Kicking against the trunk to gain some leverage, he managed to swing a leg over the branch, and wrestled into a sitting position.
     He started upwards, breathing harshly. The vines still hung above him, up where the fir broke open and gave way to the sky. When he'd rested, he crouched on the branch, close to the trunk, holding on to other branches above him for balance. He climbed quickly, the fir providing an awkward ladder. Matthew would have to be satisfied with these. He wasn't going to climb another tree.
     The closer he got to the vines, the odder they looked to him. They were smooth and shiny, grey and black. He was five feet from them when he realized they weren't vines at all. The entire tangle began to writhe above him, and the snakes' tapered heads appeared, waving in the air, their eyes red pinpricks of light. Derin pulled away, crouching on the branch he'd been straining to leave. He grabbed it with both hands and swung free, reaching with his toe for a safe hold below him. He found the branch, let go and tottered, lost his balance. He crashed against the trunk and fell, but he managed to grab a branch, and he hung there, almost wrenching his shoulders from their sockets when the tree ceased to give.
     He looked above him. The snakes had made no move toward him, and he hurriedly let himself down from branch to branch, until he hung from the lowest one and let himself fall. He sprang to his feet, ready to run. Above him, the snakes were motionless, their heads hidden, looking again like a tangle of vine.
     He caught his breath; for him, the owl was everywhere. Perhaps the snakes had not been threatening at all, simply a nest of tree vipers disturbed by his ascent. But he wasn't about to climb again to find out. The menace in their twisting heads had not been imagined, and whether they belonged to the owl or simply to themselves, they meant him only ill. He made his way back up the riverbank toward the place where the heave of Matthew's ax was again audible.
     The river leapt to challenge him, and his face was wet with salt spray. "We're crossing you," he said. At his feet, the ground rustled. Sand grains and tiny stones rose from the earth and bounced off his legs. The river continued in its deep channel from north to south, ignoring his threat.



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Sorry for not working on this for so long. More = later!

Kids' cartoons.

     Lately, with the numbers of manchildren (and womanchildren of course blah) steadily growing, angry nerds on the INTERNET have been defending what are commonly considered "kids' things" and holding the position that those childish matters could be enjoyed by adults just the same. That was the inspiration for this writing/article thing.

     But are people correct when they say "_____ is not just a kids' thing"? Hard as it may be to believe, often they are correct.

     A long long time ago, animation was invented. The prospect of taking a whole bunch of drawings and treating them as frames of a film was the craziest idea since electricity-powered streetlamps. And yet, a bunch of crazy folks did it. One of the first animations was the one of a dinosaur eating a tree. It was AMAZING, like a drawing come to life! From primitive tech demos like that came the Felix cartoons and Looney Tunes. Early cartoons were all experimental, since NO ONE did animation before, and there was no guaranteed audience. So, the creators made cartoons to please themselves, and hopefully their friends. Tex Avery and Chuck Jones both made animation for themselves the way they wanted, and were lucky enough that the movie going public liked it. Cause, in case you are unaware, there was no television for a while, and all animation was shown in theaters.

     Needless to say, all cartoons were made by adults. Duh. Made for other adults. Keep that in mind.

     But as time went on, animation somehow became a kids' thing. How did that happen?

     As the years gone by, several reasons happened.

     First of all, around the 1940s, producers noticed that kids liked cartoons quite a lot, and went to see the colourful imagination-fest more eagerly than the jaded mature adults. So, animators were told to make their wacky cartoons more child-friendly. I'm serious! – watch some of the oldest cartoons, you'll be surprised how naughty some of them are. Also, notice how in almost all early cartoons the protagonists are almost exclusively adults, while later we would see an influx of children taking those roles. Because, AS WE ALL KNOW, children cannot relate to adults or like grown up characters *cough PopeyeSupermanMickeyMouse*.

     Second, television happened. TV producers realized that children have much higher tolerance for shit quality and shit writing than adults. Cheap, badly written cartoons were cheaper to produce than live action. Adults wanted the kids to go the fuck away for most of the day (cause who wants to spend time with their unwanted children, amirite?). So, when you put the two and two together, we have the following: the rise of limited animation, and the rise of shit writing in animation. The Double Rise of Two Shits.

     Third, Di$ney. They made the first COLOURED animated feature film, and it was a hueg hit. Because on the over-the-top strong emphasis on fameelee in Murrika, adults would go with their children to see Di$ney films from then on. Seeing how profitable family films are by their very nature (family = more seats), Di$ney producers (Walt wasn't the one man in charge of where money comes from, despite what people believe) made it so the movies be more child-friendly, and the stories simpler for the tiny child brain to understand. To this very day, the Di$ney Corporation is trying their best to preserve an innocent child-friendly image (which is toxic for creativity in animation, but they haven't cared for decades now).

     Fourth, human stupidity. The general public does not give a FUCK why things are the way they are. Women belong in the kitchen, invading foreign countries to preserve FREEDOM is a good idea, capitalism is the best darn system ever created, Coca Cola is good for you, and cartoons are for children. The general public is never arsed to find out why things are the way they are, and how we came to this. Too much thinking will make your brain explode and shrink your dick, right? And nobody wants a shrunk dick, RIGHT??


     So, the combination of corporate greed and public ignorance are the two main reasons which made animation to be known as "kids' stuff".

     For comics, it was superhero shit.




     Satyrday chapters coming up next!

An impossible dream.

     I wish this man was alive right now, and did illustrations for Satyrday.

http://englishrussia.com/2014/11/10/awesome-russian-winter-by-yulius-clever/

     His choice of colour... of perspective... it's perfect! Some of these make me think of the swamp Derin and Matthew had to cross in chapter 3. All of those paintings have hidden magic inside of them, just like every page of the aforementioned 1980 fable.



     In case you haven't figured out, this post is filler.